The Symbolism Of Young Goodman Brown Essays - Young Goodman Brown

The Symbolism Of Young Goodman Brown ?The Symbolism of Young Goodman Brown? Nathaniel Hawthorne is a nineteenth-century American writer of the Romantic Movement. Hawthorne was born is Salem, Massachusetts, and this is the place he used as the setting for some of his works: such as ?The Scarlett Letter?, ?the Blithedale Romance? and ?Young Goodman Brown?. In writing, Hawthorne was known for his use of allegory and symbolism, which made his stories a joy for everyone to read. Hawthorne was said to be the first American writer who was conscious of the failure of modern man to realize his full capacity for moral growth. His stories contain much about the life he knew as a child being brought up in a Puritan society. As Hawthorne's writing continued it was filled with the same amount of sin and evil as his first writings. Evil that was revealed through his works. ?Young Goodman Brown? was said to be one of the best stories ever written by Hawthorne (Adams70). ?The Marble Faun: and ?the Scarlett Letter were some of the other stories written by Hawthorne, and they were said to be ?Young Goodman Brown? grown older. In this selection there is a question of maturity for Goodman Brown and whether he is good or evil. There is also a transition from childishness to adolescence to maturity. This short story in particular has a feeling of adultery, betrayal, and deception as in some of his other works. It was said by Richard P. Adams that ?young Goodman Brown? was a germ for nearly all his best work that followed (Adams 71). The use of symbolism in ?young Goodman Brown? shows that evil is everywhere, which becomes evident in the conclusion of this short story. Hawthorne's works are filled with symbolic elements and allegorical elements. ?Young Goodman Brown? deals mostly with conventional allegorical elements, such as Young Goodman Brown and Faith. In writing his short stories or novels he based their depiction of sin on the fact that he feels like his father and grandfather committed great sins. There are two main characters in this short story, Faith and Young Goodman Brown. ?Young Goodman Brown is everyman seventeenth-century New England the title as usual giving the clue. He is the son of the Old Adam, and recently wedded to Faith. We must note that every word is significant in the opening sentence: ?Young Goodman Brown came forth at sunset into the street of Sale, Village; but put his head back, after crossing the threshold, to exchange a parting kiss with his young w2ife. ?She begs him to ?put off his journey until sunrise,' but he declares he cannot?. [It] should not escape us that she tries to stop him because she is a similar compulsion to go on a journey' herself-?She talks dreams, too, ?Young Goodman Brown reflects as he leaves her. The journey each must take alone, in dread, at night, is the journey away form home and the community from conscious, everyday social life, to the wilderness where the hidden self satisfies or forces us to realize its subconscious fears and prompting in sleep. We take that journey with him into the awful forest. Noti ng the difference between the town and the forest. We see Hawthorne using the Puritan association of trees and animals. When Young Goodman associates returns to Salem Village, his eyes are opened to the true nature of his fellowmen, that is human nature; he inescapably knows that what he suspected of himself is true of all men? Hawthorne has made a dramatic poem of the Calvinist experience in New England. The unfailing tact with which the experience is evoked subjectively in the more impressive concrete terms, is a subordinate proof of genius. I should prefer to stress the wonderful I control of local and total rhythm, which never falters of stackers, and rises from the quest but impressive opening to its poetic climax in the superb and moving finale. Hawthorne has imaginatively recreated for the reader that Calvinist sense of sin, that theory did in actuality shape the early social and spiritual history of New England. But in Hawthorne by a wonderful feat of translation, it has no religious significance; it is as a psychological